American Primeval, a new Netflix limited series about the Utah War in the 1850s, isn’t afraid to dramatize the horrors of the Old West. Directed by Peter Berg (Friday Night Lights) and written by Mark L.

Fans of Netflix’s American Primeval are eagerly awaiting updates on its future. The series follows a mother and son escaping their past while forming a found family in the harsh American West. Viewers are curious about the prospects for Season 2.

In the catalog of the modern western, a lot of space is given to stories focused on what is assumed to have been the sheer miserableness of life on the frontier. Viscous carpets of mud. Frigid snowscapes. Scalpings. Rapes. The sibilant impact of arrows puncturing flesh.

While the story that unfolds on-screen took place in the 19th century Utah Territory – now Utah state – the show was filmed entirely in New Mexico, 600 miles to the south east.

However, it saps anything resembling wistfulness from its Hollywood Western roots, complicating its chances of cornering the post-Yellowstone market (alongside the latter's many spin-offs). What's left is the husk of a beloved genre,

The series, now streaming on Netflix, depicts the brutality with which the Mormons sought to create a new world for their beliefs, the pride with which the native people held onto their ancestral lands, and the tragedy of the people just seeking to make a new home in the chaos. But is any of it true?

The Western can be a deeply romantic genre with white hats and black hats, dusty streets and beautiful sunsets. Great films and TV series have broken with our rose-colored expectations of the American frontier,

In Netflix’s new limited series, “American Primeval,” written by “The Revenant” scribe Mark. L. Smith, audiences are thrust into the viciousness of the American West, specifically the Utah Territory in 1857.

Peter Berg directs an epic six-part drama about the Mountain Meadows Massacre of 1857, in which more than 100 settlers were murdered by militant Mormons.