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Ever since its off off Broadway debut in 2011, Robert Askins’ comedy “Hand to God” has been known as a demonic puppet comedy so raunchy it makes “Avenue Q” seem like kid’s stuff. But ...
All the little possessed dolls and puppets around the world who dreamed of leading their own movie were crushed. Unfortunately, it seems like this won’t be the last from them.
Performances in N.Y.C. Advertisement Supported by Critic’s Notebook La MaMa Puppet Festival and other stage works this fall highlight the power of storytelling through puppetry. By Laura Collins ...
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