The Fantastic Four reboot composer Michael Giacchino teases how the MCU film doesn't rely on the Volume and green screens.

The key to good green screen results is to light things evenly ... Once that’s done, it can be more easily set up and torn down with minimal fiddling. Computers sure make all this much easier ...

Now that the MCU reboot of Fantastic Four is filming, we’ve had some early insight into what to expect, with a new tease ...

This allows motion-tracked cameras to execute traditional cinematography techniques within the virtual set, achieving cinematic ... virtual sets can solve a bunch of green screen problems.

If you know anything about how films are made then you have probably heard about the “green screen” before. The technique is also known as chroma key compositing, and it’s generally used to ...