Red Cube, however, was accepted and installed in 1968. Like many of Noguchi’s works, the sculpture playfully interacts with the surrounding urban fabric.

The sculpture here is not Red Cube per se, but the way that it alters our perception of the building and the space around it. That relationship is the Noguchi.

If you’re lucky, you’ve spotted one of the 500 bright red cubes that the Art Institute of Chicago has hidden throughout the city. Cube No. 22 is hanging out at Navy Pier, awaiting photos ops.

Sculpting with light means planning for the unexpected, says artist Larry Bell. His newest work, two minimalist red-glass cubes that playfully reflect and refract light, have been installed on the ...

Larry Bell’s Pacific Red (VI) is in the Sydney and Walda Besthoff Sculpture Garden at the New Orleans Museum of Art. Depth of color and varying levels of transparency alter the viewer’s ...