Rhizome and Electronic Arts Intermix (EAI) are teaming up with Canyon —a major new venue for media art opening on New York’s ...

The Download is a series of Rhizome commissions that considers posted files, the act of downloading, and the user’s desktop as the space of exhibition. Material Speculation: ISIS/Download Series (King ...

An der Kunstuniversität Linz gelangt am Institut für Medien in der Abteilung Interface Cultures die Stelle einer*eines Universitätsprofessor*in für „Interface Cultures/Critical Data“ gem. § 98 (1) UG ...

The latest in a series of interviews with artists who make work that responds to network culture and digital technologies. Nihaal Faizal: Your work Breaking the Screen (2020) is part video essay, part ...

This essay was originally published November 2022 as a chapter in the book Documentation as Art, edited by Annet Dekker and Gabriella Giannachi. In the preservation of digital art, documentation is ...

Installation view, “Camera Rider” at Team Gallery, New York, 2019. Courtesy of Team Gallery. The latest in a series of interviews with artists who have a significant body of work that makes use of or ...

Viktor Timofeev, DOG (2021). Installation view at Interstate Projects, New York. Hard pastel, acrylic on wall. Courtesy of Interstate Projects, New York. The latest in a series of interviews with ...

Cover image: Screenshot of BookStory’s opening title screen, featuring the interior of the Kurome Shobo bookstore. Usually, a Google Sheet is the site of bureaucratic misery and numbing digits; the ...

Paul Slocum, Transformer Fire (2008) For its blockbuster sale of Beeple’s Everydays: The First 5000 Days, an artwork in the form of an NFT and a digital file comprising thousands of images, Christie’s ...

In May 2014, artist Kevin McCoy sold a GIF onstage at Rhizome’s Seven on Seven conference to Anil Dash, and published the transfer of ownership of a GIF on the Namecoin blockchain. The data written to ...

On Monday, the National Endowment for the Humanities announced a new grant award to Rhizome, supporting an overhaul and re-implementation of ArtBase, our archive of 2,000+ born-digital artworks.

Nick Pinkerton reviews 1995: The Year the Internet Broke, a screening series programmed by Screen Slate at Anthology Film Archives in March 2020. Cut short by COVID-19, the program lives on in the ...